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Crazy Credits. Alternate Versions. Rate This. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
Director: Quentin Tarantino. Available on Amazon. Added to Watchlist. From metacritic. Stars of the s, Then and Now. Top Movies Bucket List. Our Favorite '90s Movie Soundtracks.
I miei preferiti. All-time Favorites. My favorite movies. Share this Rating Title: Pulp Fiction 8. Use the HTML below.
You must be a registered user to use the IMDb rating plugin. Top Rated Movies 8 Won 1 Oscar. Edit Cast Cast overview, first billed only: Tim Roth Pumpkin Amanda Plummer Honey Bunny Laura Lovelace Waitress John Travolta Vincent Vega Samuel L.
Jules Winnfield Phil LaMarr Marvin Frank Whaley Brett Burr Steers Roger Bruce Willis Butch Coolidge Ving Rhames Marsellus Wallace Paul Calderon Paul Bronagh Gallagher Trudi Rosanna Arquette Jody Eric Stoltz Lance Uma Thurman Samuel L.
Taglines: Girls like me don't make invitations like this to just anyone! Edit Did You Know? Trivia Butch saved Marsellus from Zed and Manyard because of honor, which is a major theme in all of Tarantino's films.
Butch puts himself in Marsellus' position and decides that he would hate to be left to such a horrid fate; he cannot just leave somebody there, no matter who it is.
Butch does the "right thing" to put it simply; he realizes that Maynard and Zed cannot get away with what they are doing to anybody--who knows how many people they've raped, tortured or even killed in Maynard's basement?
Butch may have also considered saving Marsellus an act of redemption. By saving his skin, he may have hoped that Marsellus would forgive him and let him go, if not, Butch may have killed Marsellus himself.
Notice how Butch still stood ready to swing with the sword when he asked, "What now? Also, if Marsellus ever escaped and learned that Butch had left him there to his fate, Marsellus would sure unleash even more retaliation against Butch than he was subject to after double-crossing him at the fight.
Successful author Veronica finds herself trapped in a horrifying reality and must In Knockemstiff, Ohio and its neighboring backwoods, sinister characters converge The story of Helen Reddy, who, in , landed in New York with her three-year-old A year old Missouri teen named Veronica discovers she has gotten pregnant, a development When the Emperor of China issues a decree that one man per family must serve in the Pulp Fiction Stream and Watch Online.
TMDb Score. R 2 hr 34 min Sep 23rd, Thriller , Crime. Quentin Tarantino. John Travolta as Vincent Vega.
Samuel L. Just before the character said, "And he put the watch Anyone who has seen more than 10 films, and read a few books, can't possibly find this movie "innovative" or "profound.
The diner is something out of JG Ballard. While Tarantino turned it up a notch, that "innovative" narrative structure was first used, I believe, in "Dead of Night" although I welcome nominations for earlier examples.
There's some "La Jetee" in there, too. The "record collection" soundtrack is something Scorsese first did in "Mean Streets". Except Scorsese's taste in music is far better.
I still don't understand what's "funny" about "Royale with Cheese. Again, Tarantino's ingenuity was applauded: Imagine!
An alternative history in which Hitler is assassinated! Yes, who would have conceived of such a thing—except, of course, the odd folks who tried to assassinate the guy in real life, and the untold tens of millions who've fantasized about it from around up until, say, this morning?
The two best things Tarantino ever did was popularize Jackie Chan, and the screenplay for "True Romance. I was flabbergasted at her mirror mimicry of Etta James on "At Last.
I steer pretty clear of these Mimes because I revere the real things -- the Originals. I was stunned mouth hangs open at the phrasing that was pure copycat, a word-for-word, syllable-for-syllable imitation of a truly natural singer such as Etta James.
She started out with Destiny's Child; now she's destiny's mother. She packs 'em in though! But there is no originality, unless it's more obscenity on display or obscene perversion of the past.
I think the last 20? Adele sounds like Wynonna sister of Ms. Ashley the Unhinged with more vocal pain, and with varying accents depending on the demographic targeted.
A few years ago I heard this Taylor Swift person being played in the aisles of Michael's store. I mentioned the event to my adult son.
He said, "My condolences. I agree that the screenplay for True Romance was good, as was the film itself, helped by a really great cast of fine actors.
And the lead actress's outfits were as stylistically influential on my generation as Faye Dunaway's were in "Bonnie and Clyde.
Damn Boomers I am now too old to pull off the "leopard skin coat and Chucks" look but don't think for a moment I don't consider trying once in a while.
I'm sure Michael Buble is a very nice young man. And yes, he can sing. But all his recordings would be greatly improved if somehow each song ended 30 seconds in with the ghost of Frank Sinatra beating him about the head and neck with the nearest solid object.
Kathy wrote But all [Buble's] recordings would be greatly improved if somehow each song ended 30 seconds in with the ghost of Frank Sinatra beating him about the head and neck with the nearest solid object.
My CD storage boxes are filled with gems from the s till Motown or so. If you want to hear a real soul singer, try Marian Anderson.
I was very conversant about the Mills Brothers while my peers were going nutz over the Allman Brothers. I've always been out-of-touch with the s and proud of it!
My programmed stations on satellite radio jump that decade completely. They stop with the s. A large part of the problem -- as Mark points out in his wonderful but brief musical history of Bing Crosby -- is the songwriting.
Or lack thereof. Same with screenplays. This comment is a bit "off-track" from my reply about the golden oldies, but I used to listen to that music on a brown box bakelite radio, probably from the late s, up in the attic a safe place we all could use.
It took a while for the tubes to warm up, but I think the tubes were a contributing factor to the sound quality. I think those radio tones were warmer than the ones coming from the analog transistor radio and now from digital satellite radio.
Maybe just the mid-tones were that way; perhaps the range of those tones was more distinctive because of the speaker.
The vinyl vs. I've happily followed Steyn's political commentary for years but never once read a movie or song review of his, for the same reason I stopped reading reviews by anyone years ago - no matter who writes them, they are inevitably boring, tedious.
I'm sorry to myself that I broke my rule and read my first Steyn review, that of Pulp Fiction. I'm sorry not just because all of the above was confirmed yet again, but because to my horror I realised that Steyn is actually a tight ass snob.
But I still like his political commentary. I think Mark's review is spot on. Quentin Tarantino has made a career of making films with ludicrous amounts of violence and mayhem and then decrying it in his personal life.
He prides himself in the most vulgar of movies then wonders aloud why society is vulgar. Good riddance to bad rubbish.. Time to take out the trash in entertainment Looking forward to his next film where he tries to make amends for his shame Maybe it will be about a white christian southern gun loving republican who is serial rapist His review is snearing at flyover country - just like the establishment does.
Oh those vulgarians have such bad taste, how dare they enjoy a movie that is so common! Well not all of us like to unwind by listening to show tunes from the 50's.
I don't think Quentin Tarantino is anything to do with "flyover country". Certainly The Hateful Eight was a big flop there.
Tarantino is speaking out now because Harvey Weinstein can no longer further or now hurt his career. I hope there will be video available of your "gentlemanly" acceptance speech and of Kellyanne Conway's and Tammy Bruce's appearances.
You will in the company of many impressive and successful women. I enjoyed the unique creativity of Pulp Fiction but I also agree with James Wood's comment about it being "entirely stripped of any politics, metaphysics, or moral interest.
But they seem to be in increasingly short supply or buried among the heaps of trash coming from Hollywood. I don't think any discussion of Pulp Fiction would be complete without at least commenting on what Tarantino clearly intends to be the moral message of the movie.
I'm talking about the theme of redemption. Travolta gets into serious trouble three times in the film shot at in the apartment, messing up the car, Uma overdosing , and through either luck or grace, manages to come through okay.
In spite of his partner preaching to him that God is telling him to reform his ways, he fails to reform, and winds up out of chances.
Willis does a good deed of sorts, and he not only lives, but doesn't have to live his life on the run from Mr. Big anymore. As for the diner thieves, they are given a reprieve, and the movie ends with the open question of whether they will reform their ways, or die.
Now you don't have to like this theme as presented, and you may say it's all an excuse to present what would otherwise be crap, but I think it's clear that Tarantino intended this to be the message.
He clearly says this through the mouth of the reformed Jackson a number of times. There's another "triplet" giving structure to Pulp Fiction -- in each of the film's three interconnected storylines, a man who kills for a living is forced by circumstances to save someone else's life.
Yes, and then we had to sit through movies and TV shows about "redemption" for the next 15 years. And I see no real life evidence to suggest this has been helpful.
Oh, and Tarantino's "innovative" dialogue about trivial things? The pilot of "Cheers" features the main characters debating "the sweatiest movie ever made.
What has been even worse, Kathy, is the fact that Tarantino opened the door for Nihilism to be celebrated. You find it everywhere in film and television — senseless acts of all kinds that seem to say: 'Life is nothing special'.
I enjoyed Pulp Fiction quite a bit. And yes, Carol, I'm too young to be a boomer, by just a little bit. But I also really enjoy reading Mark's thoughts, as well as those who've commented, as each sees things I didn't, and for that I thank all of you.
I never picked up the timing of the bathroom trips at all. I will say, I hope none of you are ever forced to sit through Jackie Brown.
I went to see that while bored on a free afternoon on a business trip. That's a few hours I'll never get back.
I'm not even sure the movie is over yet, over 20 years later I loved Jackie Brown. I liked the measured pace and use of mature actors. But each to his own i guess.
And the JB ending is truly bittersweet? Pulp Fiction is not entirely vacuous or devoid of moral interest as James Wood stated all Tarantino films to be; a proposition which you seem to agree with.
Rather than cavil with you over whether there is a moral dimension to Pulp Fiction, I'd be interested in your views on Tarantino's "Jackie Brown" or you publishing or republishing a review of it.
I find "Jackie Brown" to be the most beautiful, moving, plausible cinematic love story ever created. Tarantino took Elmore Leonard's crime thriller novel "Rum Punch" and made it so human and real one could forget it is fiction.
The movie is made all the more powerful by two factors: firstly, the unlikely pairing of the Don Cherry Robert Forster and Jackie Brown Pam Grier characters and the highly unusual, yet prosaic, circumstances under which they meet; and, secondly, the way the movie depicts Don Cherry's growing feelings for Jackie as she cleverly uses him to achieve her goal of saving her own life from her grotesque, yet believable, criminal boss - Samuel L Jackson.
The poignancy of the Cherry-Brown relationship is masterfully subtle. That what becomes a mutual love between Cherry and Brown is never openly stated and never progresses beyond the single, tender, chaste moment as she graciously accepts his reluctant declining of her invitation to permanently accompany her to Spain makes the movie the polar opposite of a schlocky Hollywood love story.
The obvious immediate unstated regret Cherry feels over his decision to let Brown go as he answers the phone to return to the occupation he has made quite clear he is thoroughly weary of could not fail to emotionally engage any man who has made the wrong decision in relation to a woman and lived to regret it.
The title of the movie could be "Regret". And the soundtrack is sensational. Jackie Brown is Tarantino's masterpiece.
You took the words right out of my mouth — no need to add any more, except to say that Mr. Tarantino is a first-class, slimy creep, who had one spark of Genius that he used to make this film.
I too like Jackie Brown a lot and Tarantino has to get some credit for making a good movie, but it would not have been possible without Elmore Leonard RIP Had Tarantino tried to write the movie without Leonard's source material I have no doubt it would have been as vacuous as his other works.
You summed it up beautifully, Mark. I never did go see this movie. It sounded too vapid to be worth more than three minutes of my life, but my sister and her boyfriend did.
They came out of the movie and her boyfriend said, "I feel like I've been vomited on. Glad she married him. Tarantino seems like a bit of a jerk but that particular movie is a masterpiece.
I too enjoyed "Pulp fiction. You're a smart mother-fucker. Two friends discussing foot massages when they are about to kill some people.
Perhaps Mark's objection is that somehow he managed to make very bad people likable.